From 11 December to 30 April, MAXXI hosts the exhibition ISTANBUL. PASSION, JOY, FURY where over 40 artists and architects continue their exploration of the cultural milieu of the Mediterranean basin and the relations between the Middle East and Europe.

This is a boom time in Istanbul, which is going through an unprecedented urban renovation and expansion. Construction sites are all around while new urban zones are reaching out to the Bosphorus Strait and the Marmara shore. Economic development is hot. But political confrontations and violence are also growing. Within the network of global cities, Istanbul is now put on the frontlines of negotiations between different economic, cultural and geopolitical systems. The contemporary art scene in Istanbul has also rapidly developed for the last decade. It is, like the city itself, full of passion, joy, and, naturally, fury. The exhibition Istanbul. Passion, Joy, Fury presents the works by over 40 artists, architects and other creative practitioners. Unfolding in six chapters – “A Rose Garden?”, “Ready for a Change? ”, “Can We Fight Back?”, “Should We Work Hard?”, “Home for All?” and “Tomorrow, Really?”, it forms a dynamic and complex system incarnating the dynamic reality of contemporary creations of the city so as to observe how the world is changing today.


A Rose Garden?

A rose garden with blossoms of countless colors: this is Gezi Park on Istanbul’s Taksim Square in the early days of summer 2013. Thousands of citizens occupied the park to protest against its proposed demolition as part of a controversial urban development project in the heart of Istanbul. Diverse groups, who might otherwise have felt uncomfortable standing side-by-side, joined forces to protect their city.  The police’s severe reaction to the protest triggered public demonstrations across Turkey, in which people voiced their strong disapproval of large-scale urban and economic changes proposed by the government, limitations on freedom of the press and of expression and the government’s conservative regulations, which encroached on people’s daily lives. Due to violent oppression by the government the movement was eventually dispelled, incurring considerable casualties. Today, large-scale protests have been replaced by deep reflection, critical debates and day-to-day acts of resistance.

Ready for a Change?

Over the years, the city of Istanbul has had to face a drastic process of urban transformation. Its irregular expansion, which started with the migrations from the countryside towards the city in the 40s and which is marked by the illegal building of the 60s, caused a transformation of the city in the second half of the twentieth century, as well as inevitable cultural and social changes. But is Istanbul ready for a change? Architects and professionals are searching for alternative solutions to foster a more sustainable development and artists are working on presenting the cultural pluralism of Istanbul, based on investigations of space, the people who inhabit it and the ideologies that uphold the tension between democracy and globalisation.



Can We Fight Back?

Istanbul is an embodiment of the constant search for mediation between the East and the West: it has been a test bed for new projects, but also a place of bitter social and political confrontation. Issues concerning cultural identity, civil rights, the environmental crisis and religious faith have always been inherent parts of the city but, after the clashes in Gezi Park, the squares, the walls, the stairways, and the occupied spaces show signs of transformation, of protest and of the ongoing process of redefining both urban and private spaces. Within this setting of both group and self-organised actions we can fight back dealing with facing social fragmentation with a new awareness of freedom. There is an urgency of public expression in which actions, political ideologies and symbols of dissent have a new territory to explore.

Should We Work Hard?

Once upon a time, and even today, there was work and its narrative made up of dreams and aspirations. Since the late 1980s, because of the transformation of the urban fabric, the small manufacturing industries have been relocated to the outskirts. In their place today offices for the world of finance and shops for international brands have risen up. Producing goods but also buildings bridges, skyscrapers and airports, continues to be a crowd often too fragile owing to the absence of any rights. Here, where work is pure performance, dwells the illusion of having been emancipated from the idea of exploitation, and having knowingly chosen to work endlessly. It is from the talent of artists and architects – who make these themes their own – that innovative testimonies and solutions emerge. Should We Work Hard? invites to carefully observe the relationship we have with work and to feel that our skills are a unique knowledge.


Home for all?

When Turkey leapt into industrialisation, Istanbul once again became the most important centre of the country. The 1950s and 1960s saw a mass migration of Turkey’s rural population to the city. This migration brought with it important cultural shifts, but also social conflict. Non-Muslim citizens were the victims of an ethnic cleansing that pushed many Jews, Greeks, Armenians and Levantines into leaving the country. Moreover, in recent decades the conflict between Turkish Republic and PKK (the Kurdistan Workers’ Party) has caused the emigration of the Kurdish population towards the West. Yet currently Turkey is trying to accommodate two million Syrian refugees. This history leads to the question: can Istanbul really be a home for all?

Tomorrow, Really?

How can one of the oldest cities in the world project itself into the future? Composed of fragments – skyscrapers, and shops – Istanbul is, of all the megalopolises, one of the most contradictory and fascinating: primitive and utopian, ancient and futurable. The stories told about the Gezi Park protests in 2013 show the fears of and the anxiety for an oppressive present, but also a new sense of openness and longing for the future. “Tomorrow, Really?” is the last part of the exhibition where artistic practices are tantamount to the real workshop for the future.


To Build or Not to Build?

Three emerging architectural firms are invited by the curators to question the physical and social reality of Istanbul’s public spaces and to realize a site-specific installation in the galleries of the Museum. Using Istanbul’s communities’ “spontaneous” way of inhabiting public spaces as a starting point, the project aims at providing an opportunity for architectural interventions that thrive on the fine line between formal and informal, built and un-built. Architects are asked to imagine an experimental architectural typology that stems from the knowledge of the city of Istanbul, and to develop a new methodology pertaining to the use of public spaces by drawing on their own personal experiences. Therefore, To Build or Not to Build? looks for  a definition of those spaces that are the outcome of an unplanned construction. Rather than identifying the areas of intervention with a globalized architecture, this project suggests a form of regeneration of the geography of the city, starting from those “interstitial cells of resilience”. Architects are asked to build inside the exhibition – and therefore, inside Istanbul’s cultural and artistic fabric – a “social space,” a meeting spot,  a space for connections, all of which derive from suggestions of experiences related to “self-construction”, to local tradition, and ordinary life problems.



11 December 2015 – 30 April 2016


Via Guido Reni, 4/a

Tue-Sun 11am-7pm, Sat 11am-10pm

Entry Fee €10, €8, €4

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